onetedswift

I want this song to go out in the world and not be about my critics, I want it to be about the girl who’s criticizing someone in eleventh grade because she thinks that her hair looks stupid. And that girl then goes and like cries in the bathroom because of it. These are things that we go through in every phase of our lives, starting a new job and there’s just someone who has it out for you. And I hope that maybe, you know, I had a lot of days when I would come home from school, and get in the car and my mom would try so hard to console me ‘cause someone had made fun of me or something had said something about me, or not invited me to something I was dying to go to. And she would always try to find songs that bring me out of that, and music always helped distract me from that, so I think my greatest hope is that this started out being about my life and I just want it to go out into cars, and speakers, and your phones, and become about their lives.

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Taylor Swift + Olivia Benson 

Swift leads the way upstairs to her bedroom. Asleep on her massive four-poster bed is a tiny white ball of fur. “Olivia!” Swift says, scooping her up. It’s her two-month old kitten, named after Olivia Benson, from Law & Order: Special Victims Unit. “Hear how loud she’s purring? She’s a stage-five clinger, for sure.” Downstairs somewhere is her other cat, Meredith, named after Meredith Grey from Grey’s Anatomy. “Strong, complex, independent women,” Swift says. “That’s the theme.” – Rolling Stone (x)

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The other big change on 1989 is that for the first time in years, there are no diss tracks dishing about Swift’s exes. A few of the songs are about her relationships and love life, but they’re mostly wistful and nostalgic, not finger-pointy or score-settling. “Different phases of your life have different levels of deep, traumatizing heartbreak,” Swift says. “And in this period of my life, my heart was not irreparably broken. So it’s not as boy-centric of an album, because my life hasn’t been boycentric.

The other big change on 1989 is that for the first time in years, there are no diss tracks dishing about Swift’s exes. A few of the songs are about her relationships and love life, but they’re mostly wistful and nostalgic, not finger-pointy or score-settling. “Different phases of your life have different levels of deep, traumatizing heartbreak,” Swift says. “And in this period of my life, my heart was not irreparably broken. So it’s not as boy-centric of an album, because my life hasn’t been boycentric.